Leather Book Binding Free Stock Images

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Old Books Isolated on a White Background

Dusty worn books

Stack of dusty worn books on poetry and and a bible

Glasses on old books

Glasses on antique books. Glasses on antique books

Inner column of an open book. Inner column of an open book

Style Brown Notebook

Brown leather notepad with clipping path isolated on white background. Brown leather notepad with clipping path isolated on white background

Pink leather covered book isolated on white background. Pink leather covered book isolated on white background

Hardcover leather book - clipping path

The book is in a bright brown hard leather cover

Collection of poems (divan), Double-page illustrated frontispiece depicting a court scene, Walters Art Museum Ms. W.628

This is an illuminated and illustrated manuscript copy of the Collection of poems (dīvān) by Shams al-Dīn Muḥammad Ḥāfiz al-Shīrāzī (fl. eighth century AH / fourteenth CE). It was written in black nasta‘līq script with chapter/section headings in gold ink by Zayn al-‘Ābidīn ‘Abd al-Raḥmān al-Jāmī in 918 AH / 1512 CE in Safavid Iran. The manuscript opens with an illuminated medallion (fol. 1a), followed by a double-page illustrated frontispiece (fols. 1b-2a). The text begins with an incipit page with illuminated headpiece (fol. 2b). There are three additional illustrations (fols. 24a, 49b, and 87a). The red leather binding, which is not original and may be attributed to late twelfth-century AH / eighteenth CE or thirteenth-century AH / nineteenth CE Turkey, has a scalloped medallion with gold-tooled decoration and borders. This is the left side of a double-page illustrated frontispiece, showing a falconer and four other attendants waiting in an outside courtyard. This is an illuminated and illustrated manuscript copy of the Collection of poems (dīvān) by Shams al-Dīn Muḥammad Ḥāfiz al-Shīrāzī (fl. eighth century AH / fourteenth CE). It was written in black nasta‘līq script with chapter/section headings in gold ink by Zayn al-‘Ābidīn ‘Abd al-Raḥmān al-Jāmī in 918 AH / 1512 CE in Safavid Iran. The manuscript opens with an illuminated medallion (fol. 1a), followed by a double-page illustrated frontispiece (fols. 1b-2a). The text begins with an incipit page with illuminated headpiece (fol. 2b). There are three additional illustrations (fols. 24a, 49b, and 87a). The red leather binding, which is not original and may be attributed to late twelfth-century AH / eighteenth CE or thirteenth-century AH / nineteenth CE Turkey, has a scalloped medallion with gold-tooled decoration and borders. This is the left side of a double-page illustrated frontispiece, showing a falconer and four other attendants waiting in an outside courtyard.

Open notebook with copper binding and stylish pen.

Five poems (quintet), Şeyh Baba and his men, Walters Manuscript W.666, fol. 42b

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This illustration depicts Şeyh Baba and his men capturing a group of brigands who robbed their tekke (dervish lodge). This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This illustration depicts Şeyh Baba and his men capturing a group of brigands who robbed their tekke (dervish lodge).

Black notebook with clipping path

Three old books

Antique Book Cover, 1878

Old-fashioned Organizer

Old leather notebook isolated with clipping path over white background. Old leather notebook isolated with clipping path over white background

Two antique books on a rustic table

Leather organizer

Brown personal notebook on wooden table. Brown personal notebook on wooden table

Prayer book opened

My grandma's Bible. She inherited it from hers grandma. Hungary. My grandma's Bible. She inherited it from hers grandma. Hungary

Five poems (quintet), Tayyib and Tahir at a party with their rescuers in European attire, Walters Manuscript W.666, fol.

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

Dusty worn books

Stack of dusty worn books on poetry and and a bible

Strong reading material

A leather bound bible with an advisory warning stamped on the cover. A leather bound bible with an advisory warning stamped on the cover

Two ancient books

Two ancient books in leather bindings issued in 1882

Five poems (quintet), Incipit page with illuminated headpiece, Walters Manuscript W.666, fol. 22b

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

Paris antique books

At an outdoor book market in Paris many antique books for sale. At an outdoor book market in Paris many antique books for sale

Vintage konic, open, on an old, wooden table. Leather binding. Vintage. Toned. Top view

Classical Book Cover

Five poems (quintet), Sultan Murad IV receiving homage from his subjects, Walters Manuscript W.666, fol. 28a

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

Model sailing ship is on the table

Pen on old books

Pen on antique books. Pen on antique books

wedding photobooks in brown leather binding with photos on the cover

Green Organizer

Green leather notepad with clipping path isolated on white background. Green leather notepad with clipping path isolated on white background

Stylish book with bright leather hardcover isolated on a wooden background.

Cover of history book

Dusty worn books

Stack of dusty worn books on poetry and and a bible

Pen on old books

Pen on antique books. Pen on antique books

Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.5a

This horizontal-format manuscript on parchment is an illuminated fragment of the Qur'an, containing portions of chapters 4 (Sūrat al-nisāʾ), 6 (Sūrat al-anʿām), 7 (Sūrat al-aʿrāf), and 10 (Sūrat Yūnus). The fragment probably dates to the third century AH / ninth CE. The text is written in an Early Abbasid (Kufic) script in dark brown ink and vocalized with red and green dots. Verse markers in the shape of a stylized letter hā' and rosettes indicate groups of five and ten verses. The text is framed by later red, blue, and gold framing lines and a polychrome and gold floral border. The black blind-tooled leather binding with central lobed, pointed oval and pendants is attributable to the thirteenth century AH / nineteenth CE. See this manuscript page by page at the Walters Museum Website: art.thewalters.org/viewwoa.aspx?id=3124. This horizontal-format manuscript on parchment is an illuminated fragment of the Qur'an, containing portions of chapters 4 (Sūrat al-nisāʾ), 6 (Sūrat al-anʿām), 7 (Sūrat al-aʿrāf), and 10 (Sūrat Yūnus). The fragment probably dates to the third century AH / ninth CE. The text is written in an Early Abbasid (Kufic) script in dark brown ink and vocalized with red and green dots. Verse markers in the shape of a stylized letter hā' and rosettes indicate groups of five and ten verses. The text is framed by later red, blue, and gold framing lines and a polychrome and gold floral border. The black blind-tooled leather binding with central lobed, pointed oval and pendants is attributable to the thirteenth century AH / nineteenth CE. See this manuscript page by page at the Walters Museum Website: art.thewalters.org/viewwoa.aspx?id=3124

Blank Note Book EPS

A vector illustration of an isolated red notebook. Available in EPS format. A vector illustration of an isolated red notebook. Available in EPS format.

Old books - nineteen century original books - antiqued shot

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