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The Luxury Mega Yacht Attessa Docked in San Diego Marina Harbor.

The Luxury Mega Yacht Attessa Docked in San Diego Marina Harbor.

1989 Toyota Celica GT-Four ST185 Rally Car

1989 Toyota Celica GT-Four ST185 Rally Car

Lost Lake Tank (upper, larger tank). 2009-05-07: On the fifth day of our camping trip on the Mogollon Rim we were still looking to beat the heat by staying above the rim. I’d noticed a route marked as a trail on my GPS (the base map on my Garmin Oregon 400T) leading to a spot marked Lost Lake. We headed for trail, turning off of the main road onto a jeep track. The route quickly got rocky, and we assumed it was petering out, so we parked and started hiking. Within a couple hundred feet, the route turned back into a smooth, dirt, two-track road… basically, quite driveable. We hiked it anyway. There was a tree blocking the road about halfway to Lost Lake, but aside from that the route is a well maintained route, with a couple side-roads heading off of it. The road gently ascends to the top of a hill, where Lost Lake is actually a pair of tanks. The upper tank is quite large, and both had water in them. There were a few wildflowers, and butterflies and western tanagers were flitting about. It’s a very pretty area, and quite likely an excellent place for bird watching. Lost Lake is definitely worth a visit, whether hiking or driving. The tanks are surrounded by forest, and we took advantage of the shade to have lunch, enjoy the beautiful day, and catch a quick nap. Hiking report View all photos from this hike

The palace of Carlos 5 in Alhambra

The palace of Carlos 5 in Alhambra, Granada, Spain

Record reading quran prisoners all over indonesia

Record reading quran prisoners all over indonesia

Peaks of Petronas KLCC twin towers

Petronas KLCC twin towers, currently the fifth tallest building in the world at 1,483 ft. Petronas KLCC twin towers, currently the fifth tallest building in the world at 1,483 ft.

Five poems (quintet), An imam who put ink, rather than rosewater, on his face, Walters Manuscript W.666, fol. 48a

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

Petronas KLCC twin towers, Kuala

Petronas KLCC twin towers, currently the fifth tallest building in the world, 1,483 ft. Petronas KLCC twin towers, currently the fifth tallest building in the world, 1,483 ft.

Road to Lost Lake Tank. 2009-05-07: On the fifth day of our camping trip on the Mogollon Rim we were still looking to beat the heat by staying above the rim. I’d noticed a route marked as a trail on my GPS (the base map on my Garmin Oregon 400T) leading to a spot marked Lost Lake. We headed for trail, turning off of the main road onto a jeep track. The route quickly got rocky, and we assumed it was petering out, so we parked and started hiking. Within a couple hundred feet, the route turned back into a smooth, dirt, two-track road… basically, quite driveable. We hiked it anyway. There was a tree blocking the road about halfway to Lost Lake, but aside from that the route is a well maintained route, with a couple side-roads heading off of it. The road gently ascends to the top of a hill, where Lost Lake is actually a pair of tanks. The upper tank is quite large, and both had water in them. There were a few wildflowers, and butterflies and western tanagers were flitting about. It’s a very pretty area, and quite likely an excellent place for bird watching. Lost Lake is definitely worth a visit, whether hiking or driving. The tanks are surrounded by forest, and we took advantage of the shade to have lunch, enjoy the beautiful day, and catch a quick nap. Hiking report View all photos from this hike

Atlas statue and St. Patrick s Cathedral at night located in Fifth Avenue, Manhattan, NYC

Atlas statue and St. Patrick s Cathedral at night located in Fifth Avenue, Manhattan, NYC

Tom Hanks

Painted houses of Alamo Square

Alamo Square is a residential neighborhood and park in San Francisco, California. Both are located in the Western Addition, a part of the city's fifth Supervisorial district. Alamo Square is a residential neighborhood and park in San Francisco, California. Both are located in the Western Addition, a part of the city's fifth Supervisorial district.

Burrage House Series Sepia One

Similar to homes built on New York's Fifth Avenue, it was modeled after Chenonceaux, a chateau located in the Loire Valley of France, and represents the only example of the chateauesque style in Boston. Similar to homes built on New York's Fifth Avenue, it was modeled after Chenonceaux, a chateau located in the Loire Valley of France, and represents the only example of the chateauesque style in Boston.

Burrage House Series Sepia Twelve

Similar to homes built on New York's Fifth Avenue, it was modeled after Chenonceaux, a chateau located in the Loire Valley of France, and represents the only example of the chateauesque style in Boston. Similar to homes built on New York's Fifth Avenue, it was modeled after Chenonceaux, a chateau located in the Loire Valley of France, and represents the only example of the chateauesque style in Boston.

Green glass with red wine and bottle

Green glass with red wine and bottle, isolated on white

Illuminated Manuscript Walters Art Museum Ms. W.554, fol. 36a

This horizontal-format manuscript on parchment is a collection of illuminated fragments of the Qur'an, dating to the late third century AH / ninth CE and possibly to the fifth century AH / eleventh CE. The earlier text is written in an Early Abbasid (Kufic) script, and the later text is in a hand influenced by the New Abbasid (broken cursive) style. Both are in dark brown ink and vocalized with red dots. The codex opens with an illuminated frontispiece (fol. 1a) of geometric design and closes with a similarly decorated finispiece (fol. 77b). Illuminated forms include chapter headings in gold ink with polychrome palmettes extending into the margin, tashdīds highlighted in gold ink, and verse markers for individual verses and groups of five and ten verses. The blind-tooled black goatskin binding, which is attributable to Egypt, is an important example of early Islamic bookbinding. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=31211. This horizontal-format manuscript on parchment is a collection of illuminated fragments of the Qur'an, dating to the late third century AH / ninth CE and possibly to the fifth century AH / eleventh CE. The earlier text is written in an Early Abbasid (Kufic) script, and the later text is in a hand influenced by the New Abbasid (broken cursive) style. Both are in dark brown ink and vocalized with red dots. The codex opens with an illuminated frontispiece (fol. 1a) of geometric design and closes with a similarly decorated finispiece (fol. 77b). Illuminated forms include chapter headings in gold ink with polychrome palmettes extending into the margin, tashdīds highlighted in gold ink, and verse markers for individual verses and groups of five and ten verses. The blind-tooled black goatskin binding, which is attributable to Egypt, is an important example of early Islamic bookbinding. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=31211

Skyscrapers in the Making

The building of a skyscrapers. The building of a skyscrapers.

.A boring and sad little girl on holiday

.A boring and sad little girl on holiday

Five poems (quintet), View of the Bosphorus Strait, Walters Manuscript W.666, fol. 10a

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

Cyclists on 5th Avenue in Manhattan, New York City, USA

Cyclists on 5th Avenue in Manhattan, New York City, USA

Burrage House Series Sepia Two

Similar to homes built on New York's Fifth Avenue, it was modeled after Chenonceaux, a chateau located in the Loire Valley of France, and represents the only example of the chateauesque style in Boston. Similar to homes built on New York's Fifth Avenue, it was modeled after Chenonceaux, a chateau located in the Loire Valley of France, and represents the only example of the chateauesque style in Boston.

Koran, Text page with marginal illumination, Walters Manuscript W.555, fol. 12b

This illuminated fragment of the Qur'an contains chapter 25 (Sūrat al-furqān), verses 21-32 and 39-78; chapter 26 (Sūrat al-shuʿarāʾ); and chapter 27 (Sūrat al-naml), up to verse 40. It probably dates to the late fifth century AH / eleventh CE or early sixth century AH / twelfth CE. The text is written in the New Abbasid (broken cursive) style in black ink and is vocalized with red dots and blue circles, the latter for sukūn. Single verses are separated by illuminated rosettes, and groups of five verses are indicated by the letter hāʾ in the form of a teardrop in the margins. Marginal medallions are also used for larger verse groups. The black leather binding is modern. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=11860. This illuminated fragment of the Qur'an contains chapter 25 (Sūrat al-furqān), verses 21-32 and 39-78; chapter 26 (Sūrat al-shuʿarāʾ); and chapter 27 (Sūrat al-naml), up to verse 40. It probably dates to the late fifth century AH / eleventh CE or early sixth century AH / twelfth CE. The text is written in the New Abbasid (broken cursive) style in black ink and is vocalized with red dots and blue circles, the latter for sukūn. Single verses are separated by illuminated rosettes, and groups of five verses are indicated by the letter hāʾ in the form of a teardrop in the margins. Marginal medallions are also used for larger verse groups. The black leather binding is modern. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=11860

Cake on the fifth anniversary

Festive fruitcake c number five and festive otributami. Festive fruitcake c number five and festive otributami

Five poems (quintet), Battle between the Ottoman and Hungarian armies, Walters Manuscript W.666, fol. 27a

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

Five poems (quintet), Ottoman Turks fighting the Polish army, Walters Manuscript W.666, fol. 6a

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

Pag island, croatia, adriatic sea

The pag village in croatia (southeast europe) during summer. Pag is a Croatian island is in the northern Adriatic Sea. It is the fifth-largest island of the Croatian coast, and the one with the longest coastline. The pag village in croatia (southeast europe) during summer. Pag is a Croatian island is in the northern Adriatic Sea. It is the fifth-largest island of the Croatian coast, and the one with the longest coastline.

Tropical Buckeye Butterfly

Tropical Buckeye Butterfly (Junonia genoveva). 2009-05-07: On the fifth day of our camping trip on the Mogollon Rim we were still looking to beat the heat by staying above the rim. I’d noticed a route marked as a trail on my GPS (the base map on my Garmin Oregon 400T) leading to a spot marked Lost Lake. We headed for trail, turning off of the main road onto a jeep track. The route quickly got rocky, and we assumed it was petering out, so we parked and started hiking. Within a couple hundred feet, the route turned back into a smooth, dirt, two-track road… basically, quite driveable. We hiked it anyway. There was a tree blocking the road about halfway to Lost Lake, but aside from that the route is a well maintained route, with a couple side-roads heading off of it. The road gently ascends to the top of a hill, where Lost Lake is actually a pair of tanks. The upper tank is quite large, and both had water in them. There were a few wildflowers, and butterflies and western tanagers were flitting about. It’s a very pretty area, and quite likely an excellent place for bird watching. Lost Lake is definitely worth a visit, whether hiking or driving. The tanks are surrounded by forest, and we took advantage of the shade to have lunch, enjoy the beautiful day, and catch a quick nap. Hiking report View all photos from this hike

Hapag-Lloyd cargo ship LONDON EXPRESS entering the Port of Oakland

Hapag-Lloyd cargo ship LONDON EXPRESS entering the Port of Oakland

New York City Fontana Cross

New York City Fontana cross

Roof of marble temple

Beautiful roof of Wat Benjamabopit. Beautiful roof of Wat Benjamabopit

Road to Lost Lake Tank. 2009-05-07: On the fifth day of our camping trip on the Mogollon Rim we were still looking to beat the heat by staying above the rim. I’d noticed a route marked as a trail on my GPS (the base map on my Garmin Oregon 400T) leading to a spot marked Lost Lake. We headed for trail, turning off of the main road onto a jeep track. The route quickly got rocky, and we assumed it was petering out, so we parked and started hiking. Within a couple hundred feet, the route turned back into a smooth, dirt, two-track road… basically, quite driveable. We hiked it anyway. There was a tree blocking the road about halfway to Lost Lake, but aside from that the route is a well maintained route, with a couple side-roads heading off of it. The road gently ascends to the top of a hill, where Lost Lake is actually a pair of tanks. The upper tank is quite large, and both had water in them. There were a few wildflowers, and butterflies and western tanagers were flitting about. It’s a very pretty area, and quite likely an excellent place for bird watching. Lost Lake is definitely worth a visit, whether hiking or driving. The tanks are surrounded by forest, and we took advantage of the shade to have lunch, enjoy the beautiful day, and catch a quick nap. Hiking report View all photos from this hike

Five poems (quintet), Şeyh Gülşeni setting out with his disciples on a voyage, Walters Manuscript W.666, fol. 41a

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

Five poems (quintet), The poet ʿAṭāʾī reading from his book (Ḫamse) to his master, Walters Manuscript

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

Lost Lake Tank. 2009-05-07: On the fifth day of our camping trip on the Mogollon Rim we were still looking to beat the heat by staying above the rim. I’d noticed a route marked as a trail on my GPS (the base map on my Garmin Oregon 400T) leading to a spot marked Lost Lake. We headed for trail, turning off of the main road onto a jeep track. The route quickly got rocky, and we assumed it was petering out, so we parked and started hiking. Within a couple hundred feet, the route turned back into a smooth, dirt, two-track road… basically, quite driveable. We hiked it anyway. There was a tree blocking the road about halfway to Lost Lake, but aside from that the route is a well maintained route, with a couple side-roads heading off of it. The road gently ascends to the top of a hill, where Lost Lake is actually a pair of tanks. The upper tank is quite large, and both had water in them. There were a few wildflowers, and butterflies and western tanagers were flitting about. It’s a very pretty area, and quite likely an excellent place for bird watching. Lost Lake is definitely worth a visit, whether hiking or driving. The tanks are surrounded by forest, and we took advantage of the shade to have lunch, enjoy the beautiful day, and catch a quick nap. Hiking report View all photos from this hike

Hamburg SUD cargo ship CAP JERVIS loading at the Port of Oakland

Hamburg SUD cargo ship CAP JERVIS loading at the Port of Oakland

Silver Studded Blue Butterfly

Silver studded blue butterfly (Plebeius argus). 2009-05-07: On the fifth day of our camping trip on the Mogollon Rim we were still looking to beat the heat by staying above the rim. I’d noticed a route marked as a trail on my GPS (the base map on my Garmin Oregon 400T) leading to a spot marked Lost Lake. We headed for trail, turning off of the main road onto a jeep track. The route quickly got rocky, and we assumed it was petering out, so we parked and started hiking. Within a couple hundred feet, the route turned back into a smooth, dirt, two-track road… basically, quite driveable. We hiked it anyway. There was a tree blocking the road about halfway to Lost Lake, but aside from that the route is a well maintained route, with a couple side-roads heading off of it. The road gently ascends to the top of a hill, where Lost Lake is actually a pair of tanks. The upper tank is quite large, and both had water in them. There were a few wildflowers, and butterflies and western tanagers were flitting about. It’s a very pretty area, and quite likely an excellent place for bird watching. Lost Lake is definitely worth a visit, whether hiking or driving. The tanks are surrounded by forest, and we took advantage of the shade to have lunch, enjoy the beautiful day, and catch a quick nap. Hiking report View all photos from this hike

Public Library of New York City

The main library of the city of new york situated on fifth avenue just south of forty second street in midtown Manhattan. The library is a landmark and a favorite destination for tourists and local residents. The main library of the city of new york situated on fifth avenue just south of forty second street in midtown Manhattan. The library is a landmark and a favorite destination for tourists and local residents.

Western tanager

Western tanager. 2009-05-07: On the fifth day of our camping trip on the Mogollon Rim we were still looking to beat the heat by staying above the rim. I’d noticed a route marked as a trail on my GPS (the base map on my Garmin Oregon 400T) leading to a spot marked Lost Lake. We headed for trail, turning off of the main road onto a jeep track. The route quickly got rocky, and we assumed it was petering out, so we parked and started hiking. Within a couple hundred feet, the route turned back into a smooth, dirt, two-track road… basically, quite driveable. We hiked it anyway. There was a tree blocking the road about halfway to Lost Lake, but aside from that the route is a well maintained route, with a couple side-roads heading off of it. The road gently ascends to the top of a hill, where Lost Lake is actually a pair of tanks. The upper tank is quite large, and both had water in them. There were a few wildflowers, and butterflies and western tanagers were flitting about. It’s a very pretty area, and quite likely an excellent place for bird watching. Lost Lake is definitely worth a visit, whether hiking or driving. The tanks are surrounded by forest, and we took advantage of the shade to have lunch, enjoy the beautiful day, and catch a quick nap. Hiking report View all photos from this hike

Roof of marble temple

Roof of Wat Benjamabopit Bangkok Thailand. Roof of Wat Benjamabopit Bangkok Thailand

Western tanager

Western tanager. 2009-05-07: On the fifth day of our camping trip on the Mogollon Rim we were still looking to beat the heat by staying above the rim. I’d noticed a route marked as a trail on my GPS (the base map on my Garmin Oregon 400T) leading to a spot marked Lost Lake. We headed for trail, turning off of the main road onto a jeep track. The route quickly got rocky, and we assumed it was petering out, so we parked and started hiking. Within a couple hundred feet, the route turned back into a smooth, dirt, two-track road… basically, quite driveable. We hiked it anyway. There was a tree blocking the road about halfway to Lost Lake, but aside from that the route is a well maintained route, with a couple side-roads heading off of it. The road gently ascends to the top of a hill, where Lost Lake is actually a pair of tanks. The upper tank is quite large, and both had water in them. There were a few wildflowers, and butterflies and western tanagers were flitting about. It’s a very pretty area, and quite likely an excellent place for bird watching. Lost Lake is definitely worth a visit, whether hiking or driving. The tanks are surrounded by forest, and we took advantage of the shade to have lunch, enjoy the beautiful day, and catch a quick nap. Hiking report View all photos from this hike

Flatiron Building

Flatiron Building at 175 Fifth Avenue in the borough of Manhattan, New York City.

India, Agra: Taj Mahal mosque

India, Agra: Taj Mahal; one of the entrances of the mosque. India, Agra: Taj Mahal; one of the entrances of the mosque

York, the African American man who accompanied Lewis and Clark

York, the African American man who accompanied Lewis and Clark

Christmas gifts and ornaments in 3d

Christmas gifts and ornaments in 3d on white for 2009

Apple store on 5th Avenue

Tourists looking at the Apple store on 5th Avenue, New York City, USA.

New York City Glass and Sky

New York City Glass and Skyscapers

Glass dancer on Christmas tree

Koran, Illuminated headpiece with arabesque design and marginal medallion at left, Walters Manuscript W.555, fol. 1a

This illuminated fragment of the Qur'an contains chapter 25 (Sūrat al-furqān), verses 21-32 and 39-78; chapter 26 (Sūrat al-shuʿarāʾ); and chapter 27 (Sūrat al-naml), up to verse 40. It probably dates to the late fifth century AH / eleventh CE or early sixth century AH / twelfth CE. The text is written in the New Abbasid (broken cursive) style in black ink and is vocalized with red dots and blue circles, the latter for sukūn. Single verses are separated by illuminated rosettes, and groups of five verses are indicated by the letter hāʾ in the form of a teardrop in the margins. Marginal medallions are also used for larger verse groups. The black leather binding is modern. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=11860. This illuminated fragment of the Qur'an contains chapter 25 (Sūrat al-furqān), verses 21-32 and 39-78; chapter 26 (Sūrat al-shuʿarāʾ); and chapter 27 (Sūrat al-naml), up to verse 40. It probably dates to the late fifth century AH / eleventh CE or early sixth century AH / twelfth CE. The text is written in the New Abbasid (broken cursive) style in black ink and is vocalized with red dots and blue circles, the latter for sukūn. Single verses are separated by illuminated rosettes, and groups of five verses are indicated by the letter hāʾ in the form of a teardrop in the margins. Marginal medallions are also used for larger verse groups. The black leather binding is modern. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=11860

Saks Off 5th store exterior

Saks Off 5th store exterior

Tom Hanks

Fifth Wheel and landing legs

The 5th wheel and landing legs from a C+E trailer, uncoupled. The 5th wheel and landing legs from a C+E trailer, uncoupled

St. Paul's Cathedral

St Paul's Cathedral, is the Anglican cathedral on Ludgate Hill, in the City of London, and the seat of the Bishop of London. The present building dates from the 17th century and is generally reckoned to be London's fifth St Paul's Cathedral, although the number is higher if every major medieval reconstruction is counted as a new cathedral. The cathedral sits on the edge of London's oldest region, the City, which originated as a Roman trading post along the edge of the River Thames. The cathedral is one of London's most visited sites. St Paul's Cathedral, is the Anglican cathedral on Ludgate Hill, in the City of London, and the seat of the Bishop of London. The present building dates from the 17th century and is generally reckoned to be London's fifth St Paul's Cathedral, although the number is higher if every major medieval reconstruction is counted as a new cathedral. The cathedral sits on the edge of London's oldest region, the City, which originated as a Roman trading post along the edge of the River Thames. The cathedral is one of London's most visited sites.

APL cargo ship PRESIDENT CLEVELAND entering the Port of Oakland

APL cargo ship PRESIDENT CLEVELAND entering the Port of Oakland

Abstract butterfly background

Blue abstract floral background with butterflies. Blue abstract floral background with butterflies

Five poems (quintet), Ottoman fleet, Walters Manuscript W.666, fol. 5a

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This illustration depicts the Ottoman fleet, led by Hüseyn Paşa, setting out from the Black Sea against the Polish army. This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This illustration depicts the Ottoman fleet, led by Hüseyn Paşa, setting out from the Black Sea against the Polish army.

India, Agra: Taj Mahal mosque

India, Agra: Taj Mahal; detail of one of the mosque's door; white and red stone. India, Agra: Taj Mahal; detail of one of the mosque's door; white and red stone

San Francisco, California - February 11, 2017: Beautiful Golden Gate Park in San Francisco, the fifth most visited city

San Francisco, California - February 11, 2017: Beautiful Golden Gate Park in San Francisco, the fifth most visited city

guys in undiminished number

London children with a guy Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. Guys in undiminished number are still seen on the much-remembered Fifth of November, but the exuberance of inventive genius is gone and the motive is importunately mercenary. More at www.wonderfullondon.tumblr.com/

Bonfire flames and hot sparks

A burning bonfire with yellow flames and hot burning embers rising against a black sky. A burning bonfire with yellow flames and hot burning embers rising against a black sky.

India, Agra: Taj Mahal mosque

India, Agra: Taj Mahal; architectural detail of the mosque's door;. India, Agra: Taj Mahal; architectural detail of the mosque's door;

Cherry red 4 door family d-class sedan Toyota Camry

Cherry red 4 door family d-class sedan Toyota Camry

Dog in profile, looking away.

Dog, looking away, being aware of something. awaiting the arrival of the owner. Dog, looking away, being aware of something. awaiting the arrival of the owner.

Pag island and village, croatia, adriatic sea

The pag village in Croatia (southeast Europe) during summer and the Velebit mountains. View upon the salt marsh also. Pag is a Croatian island is in the northern Adriatic Sea. It is the fifth-largest island of the Croatian coast, and the one with the longest coastline. The pag village in Croatia (southeast Europe) during summer and the Velebit mountains. View upon the salt marsh also. Pag is a Croatian island is in the northern Adriatic Sea. It is the fifth-largest island of the Croatian coast, and the one with the longest coastline.

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