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Textile, Art, Painting, Paint

1729. Київ. Дошка липова, левкас, олія, позолота. 118 х 32 х 3,5. The Nativity. 1729. Kyiv. Oil, gilding on gesso-grounded three-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. 1729. Київ. Дошка липова, левкас, олія, позолота. 118 х 32 х 3,5. The Nativity. 1729. Kyiv. Oil, gilding on gesso-grounded three-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

ENglish bible Verses &x22; I can do all things through him who strengthens me. Philippians 4:13

ENglish bible Verses &x22; I can do all things through him who strengthens me. Philippians 4:13

Of a &x22;45 percent off&x22; writing on a white background

Of a &x22;45 percent off&x22; writing on a white background

Textile, Rectangle, Art, Painting

Остання чверть XVI ст. Галичина. Дошка липова, левкас, темпера, сріблення, тиснення на полях. 42 х 31 х 2. The Annunciation Last quarter of the 16th c. Galychyna. Tempera on gesso-grounded two-piece lime-wood panel, silvering, border stamping. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Остання чверть XVI ст. Галичина. Дошка липова, левкас, темпера, сріблення, тиснення на полях. 42 х 31 х 2. The Annunciation Last quarter of the 16th c. Galychyna. Tempera on gesso-grounded two-piece lime-wood panel, silvering, border stamping. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003

&x22;One Happy Sandwich&x22; - Details of Graffiti and Decay on Exterior Wall of an Urban Abandoned Restaurant Building.

&x22;One Happy Sandwich&x22; - Details of Graffiti and Decay on Exterior Wall of an Urban Abandoned Restaurant Building.

Human Body, Paint, Textile, Art

1680-1685. Слобожанщина. Дошка липова, левкас, олія, темпера, різьблення, позолота. 102 х 41. Saint Anne. 1680-1685. Sloboda Ukraine. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel. carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. 1680-1685. Слобожанщина. Дошка липова, левкас, олія, темпера, різьблення, позолота. 102 х 41. Saint Anne. 1680-1685. Sloboda Ukraine. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel. carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 277a

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The page depicts Khusraw asking pardon from Shīrīn. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The page depicts Khusraw asking pardon from Shīrīn.

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol.1b

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page is the first of a double-page decoration containing the title and the author's name executed in gold thuluth script and placed in four cartouches. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page is the first of a double-page decoration containing the title and the author's name executed in gold thuluth script and placed in four cartouches.

White chalk sign writing reading &x22;Bistro open 7 days&x22

White chalk sign writing reading &x22;Bistro open 7 days&x22

Textile, Painting, Art, Wall

Кінець XVII ст. Волинь. Дошка комбінована (липова, ялинова), левкас, темпера, позолота, ритування, сріблення. В обрамленні: 117 х 74 х 4,5. The Exaltation of the Holy Cross. Late 17th c. Volyn. Tempera, engraving, gilding, silvering on gesso-grounded two-piece combined panel (lime-wood and fir-wood). Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Кінець XVII ст. Волинь. Дошка комбінована (липова, ялинова), левкас, темпера, позолота, ритування, сріблення. В обрамленні: 117 х 74 х 4,5. The Exaltation of the Holy Cross. Late 17th c. Volyn. Tempera, engraving, gilding, silvering on gesso-grounded two-piece combined panel (lime-wood and fir-wood). Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Art, Event, Victorian Fashion, Plucked String Instruments

1740-і рр. Північне Лівобережжя. Дошка липова, левкас, гравіювання, темпера, олія, сріблення, позолота. 114 х 70 х 2. The Great Martyrs Barbara and Catherine. 1740s. Northern Left-bank Ukraine. Tempera, oil, silvering, gilding, engraving on gesso-grounded two-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. 1740-і рр. Північне Лівобережжя. Дошка липова, левкас, гравіювання, темпера, олія, сріблення, позолота. 114 х 70 х 2. The Great Martyrs Barbara and Catherine. 1740s. Northern Left-bank Ukraine. Tempera, oil, silvering, gilding, engraving on gesso-grounded two-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Human Body, Textile, Temple, Art

Остання чверть XVI ст. Галичина. Дошка липова, левкас, темпера, сріблення, тиснення на полях. 42 х 32 х 2. The Nativity. Last quarter of the 16th c. Galychyna. Tempera, silvering on gesso-grounded canvas pasted to hollowed lime-wood panel, border stamping. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Остання чверть XVI ст. Галичина. Дошка липова, левкас, темпера, сріблення, тиснення на полях. 42 х 32 х 2. The Nativity. Last quarter of the 16th c. Galychyna. Tempera, silvering on gesso-grounded canvas pasted to hollowed lime-wood panel, border stamping. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003

Bible words &x22; Blessed is the one who Trusts is the Lord Jeremiah 17:7&x22

Bible words &x22; Blessed is the one who Trusts is the Lord Jeremiah 17:7&x22

Illuminated Manuscript Koran, Decorated incipit page with a headpiece introducing chapter 18, Sūrat al-kahf, Walters Art Museum

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. This is a decorated incipit page with illuminated headpiece introducing chapter 18, Sūrat al-kahf. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. This is a decorated incipit page with illuminated headpiece introducing chapter 18, Sūrat al-kahf.

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 21b

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts King Nūshirvān hunting with Dastūr his vizier. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts King Nūshirvān hunting with Dastūr his vizier.

Textile, Painting, Art, Religious Item

Середина XVIII ст. Полтавщина. Дошка липова, левкас, олія, позолота. 101 х 67 х 4,5 (в обрамленні). The Nativity. Mid-18th c. Poltavshchyna. Oil, tempera, gilding on gesso-grounded two-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Середина XVIII ст. Полтавщина. Дошка липова, левкас, олія, позолота. 101 х 67 х 4,5 (в обрамленні). The Nativity. Mid-18th c. Poltavshchyna. Oil, tempera, gilding on gesso-grounded two-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Sleeve, Art, Painting, Vintage Clothing

Кінець XVII ст. Волинь. Дошка липова, левкас, темпера, олія, різьблення, позолота. 101 х 62 х 3. Saints Volodymyr, Borys and Glib. Late 17th c. Volyn. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Кінець XVII ст. Волинь. Дошка липова, левкас, темпера, олія, різьблення, позолота. 101 х 62 х 3. Saints Volodymyr, Borys and Glib. Late 17th c. Volyn. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Horse, Textile, Art, Creative Arts

Середина XVII ст. Галичина. Дошка липова, темпера, різьблення, ритування, сріблення, позолота. 114 х 85 х 3. Saint George Killing the Dragon. Mid-17th c. Galychyna. Tempera, silvering, gilding, engraving on gesso-grounded four-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Середина XVII ст. Галичина. Дошка липова, темпера, різьблення, ритування, сріблення, позолота. 114 х 85 х 3. Saint George Killing the Dragon. Mid-17th c. Galychyna. Tempera, silvering, gilding, engraving on gesso-grounded four-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003

Illuminated Manuscript Koran, The right side of an illuminated double-page frontispiece, Walters Art Museum Ms. W.569, fol. 1b

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The right side of a decorated double-page frontispiece with inscriptions in gold tawqīʿ script. The upper and lower panels contain verses 77-78 from chapter 56, while the center piece is inscribed with verse 88 of chapter 17. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The right side of a decorated double-page frontispiece with inscriptions in gold tawqīʿ script. The upper and lower panels contain verses 77-78 from chapter 56, while the center piece is inscribed with verse 88 of chapter 17

Photo of sunset, sunset photo, beautifull view, peace of mind .& x22 A young boy stands alone, mesmerized by the breathtaking suns

Photo of sunset, sunset photo, beautifull view, peace of mind .& x22 A young boy stands alone, mesmerized by the breathtaking sunset. Warm golden light dances across his face as he gazes out at the vibrant colors painting the sky, lost in the serenity of the moment, capturing the beauty of nature& x27 s spectacle.& x22 ..????

Marbles are the most important & x22;device& x22; in the game of marbles, stitches, or striking

Marbles are the most important & x22;device& x22; in the game of marbles, stitches, or striking

Bible Verses &x22; A Longing fulfilled is a tree of life proverbs 13:12

Bible Verses &x22; A Longing fulfilled is a tree of life proverbs 13:12

Picture Frame, Textile, Painting, Art

Перша пол. XVIII ст. Київщина. Дошка липова, левкас, темпера, олія, різьблення, сріблення, позолота. 109 х 76 х 4 (в обрамленні). The Intercession with the portrait of Hetman Bohdan Khmelnytsky. The first half of the 18th c. Kyivshchyna. Tempera, oil, silvering, gilding on three-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Перша пол. XVIII ст. Київщина. Дошка липова, левкас, темпера, олія, різьблення, сріблення, позолота. 109 х 76 х 4 (в обрамленні). The Intercession with the portrait of Hetman Bohdan Khmelnytsky. The first half of the 18th c. Kyivshchyna. Tempera, oil, silvering, gilding on three-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Hair, Religious Item, Artifact, Art

1765. Київщина. Дошка липова, левкас, темпера, різьблення, позолота. 80 х 45 х 2. The Virgin of Częstochowa. 1765. Kyivshchyna. Tempera, gilding on gesso-grounded two-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. 1765. Київщина. Дошка липова, левкас, темпера, різьблення, позолота. 80 х 45 х 2. The Virgin of Częstochowa. 1765. Kyivshchyna. Tempera, gilding on gesso-grounded two-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

vector design, decorations and flowers, copie space, Lettering on gold &x22;Eid Mubarak&x22;.

vector design, decorations and flowers, copie space, Lettering on gold &x22;Eid Mubarak&x22;.

Textile, Art, Painting, Font

ÐšÑ–Ð½. XII - Ð¿Ð¾Ñ‡. XIII ÑÑ‚. Ð“Ð°Ð»Ð¸Ñ‡Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ñ…Ð²Ð¾Ð¹Ð½Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°. 79 Ñ… 47 Ñ… 4. The Intercession. Turn of the 13th c. Galychyna. Tempera on gesso-grounded softwood hollowed panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003 *Ð¨Ð°Ð½Ð¾Ð²Ð½Ñ– Ð²Ñ–ÐºÑ–Ð¿ÐµÐ´Ñ–Ð¹Ñ†Ñ–, Ð±ÑƒÐ´ÐµÑ‚Ðµ Ñ†ÑŒÐ¾Ð³Ð¾ Ñ€Ð°Ð·Ñƒ Ð±Ñ€Ð°Ñ‚Ð¸ ÑÐºÐ°Ð½Ð¸ - Ð²ÐºÐ°Ð·ÑƒÐ¹Ñ‚Ðµ, Ð·Ð²Ñ–Ð´ÐºÐ¸ Ð²Ð¾Ð½Ð¸. ÐÐ°Ð±Ñ€Ð¸Ð´Ð»Ð¾ Ð±Ð°Ñ‡Ð¸Ñ‚Ð¸, ÑÐº Ð²Ð¸ Ð·Ð°Ð±ÑƒÐ²Ð°Ñ”Ñ‚Ðµ Ñ†Ðµ Ñ€Ð¾Ð±Ð¸Ñ‚Ð¸. ÐšÑ–Ð½. XII - Ð¿Ð¾Ñ‡. XIII ÑÑ‚. Ð“Ð°Ð»Ð¸Ñ‡Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ñ…Ð²Ð¾Ð¹Ð½Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°. 79 Ñ… 47 Ñ… 4. The Intercession. Turn of the 13th c. Galychyna. Tempera on gesso-grounded softwood hollowed panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003 *Ð¨Ð°Ð½Ð¾Ð²Ð½Ñ– Ð²Ñ–ÐºÑ–Ð¿ÐµÐ´Ñ–Ð¹Ñ†Ñ–, Ð±ÑƒÐ´ÐµÑ‚Ðµ Ñ†ÑŒÐ¾Ð³Ð¾ Ñ€Ð°Ð·Ñƒ Ð±Ñ€Ð°Ñ‚Ð¸ ÑÐºÐ°Ð½Ð¸ - Ð²ÐºÐ°Ð·ÑƒÐ¹Ñ‚Ðµ, Ð·Ð²Ñ–Ð´ÐºÐ¸ Ð²Ð¾Ð½Ð¸. ÐÐ°Ð±Ñ€Ð¸Ð´Ð»Ð¾ Ð±Ð°Ñ‡Ð¸Ñ‚Ð¸, ÑÐº Ð²Ð¸ Ð·Ð°Ð±ÑƒÐ²Ð°Ñ”Ñ‚Ðµ Ñ†Ðµ Ñ€Ð¾Ð±Ð¸Ñ‚Ð¸.

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 138a

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts Bahrām Gūr killing a dragon. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts Bahrām Gūr killing a dragon.

"SEE THE GULLS" Christchurch NZ

SEE THE GULLS: Australian artist Anthony Lister has created an enormous artwork on the wall of Les Mills in the city centre for the RISE street-art festival. Street artists armed with spray cans and paint rollers are coming to the rescue of Christchurch's struggling suburbs and city centre. Dozens of large artworks have been created on walls across the city this month with many more going up this week. The RISE street-art festival has commissioned a dozen large street-art paintings in the city centre, while the From the Ground Up project has organised about 16 large artworks in the city centre and Sydenham. Christchurch business owners and city leaders believe street art will help regenerate areas hit hard by the earthquakes and draw tourists to the city. SEE THE GULLS: Australian artist Anthony Lister has created an enormous artwork on the wall of Les Mills in the city centre for the RISE street-art festival. Street artists armed with spray cans and paint rollers are coming to the rescue of Christchurch's struggling suburbs and city centre. Dozens of large artworks have been created on walls across the city this month with many more going up this week. The RISE street-art festival has commissioned a dozen large street-art paintings in the city centre, while the From the Ground Up project has organised about 16 large artworks in the city centre and Sydenham. Christchurch business owners and city leaders believe street art will help regenerate areas hit hard by the earthquakes and draw tourists to the city.

Textile, Tree, Art, Painting

1729. Київ. Дошка липова, левкас, олія, позолота. 118 х 32 х 3,5. The Entry in Jerusalem. 1729. Kyiv. Oil, gilding on gesso-grounded three-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. 1729. Київ. Дошка липова, левкас, олія, позолота. 118 х 32 х 3,5. The Entry in Jerusalem. 1729. Kyiv. Oil, gilding on gesso-grounded three-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Illuminated Manuscript Koran, The left side of a double-page illuminated frontispiece, Walters Art Museum Ms. W.569, fol. 2a

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a double-page illuminated frontispiece with inscriptions in gold tawqīʿ. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a double-page illuminated frontispiece with inscriptions in gold tawqīʿ

Temple, Religious Item, Art, Painting

1680-1685. Слобожанщина. Дошка липова, левкас, олія, темпера, рельєф, різьблення, позолота, сріблення. В кіоті: 144 х 119 х 19. Saint Nicolas with Scenes from his life. 1680-1685. Sloboda Ukraine. Oil, tempera, gilding, silvering on gesso-grounded two-piece lime-wood panel, relief, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. 1680-1685. Слобожанщина. Дошка липова, левкас, олія, темпера, рельєф, різьблення, позолота, сріблення. В кіоті: 144 х 119 х 19. Saint Nicolas with Scenes from his life. 1680-1685. Sloboda Ukraine. Oil, tempera, gilding, silvering on gesso-grounded two-piece lime-wood panel, relief, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Christmas tree and inscription &x22;Merry Christmas&x22; in chalk on a school black chalkboard

Christmas tree and inscription &x22;Merry Christmas&x22; in chalk on a school black chalkboard

Illuminated Manuscript, Map of the "Syrian coast" and the cities: Gaza (Ghazzah) and Ramlah (present-day

Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195. Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195

Huishan Temple in Dengfeng, Henan, China. It is part of UNESCO World Heritage Site - Historic Monuments of Dengfeng in &x22;The

Huishan Temple in Dengfeng, Henan, China. It is part of UNESCO World Heritage Site - Historic Monuments of Dengfeng in &x22;The

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 211b

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts The incipit page with the headpiece and an inscription in gold ink Kitāb-i Khusraw va Shīrīn. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts The incipit page with the headpiece and an inscription in gold ink Kitāb-i Khusraw va Shīrīn.

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 257a

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts Bahrām Gūr killing a dragon. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts Bahrām Gūr killing a dragon.

Songyang Academy in Dengfeng, Henan, China. It is part of UNESCO World Heritage Site - Historic Monuments of Dengfeng in &x22;The

Songyang Academy in Dengfeng, Henan, China. It is part of UNESCO World Heritage Site - Historic Monuments of Dengfeng in &x22;The

Happy Birthdax - Pastel Birthday Wishes: Simple Paper Art

Happy Birthdax - Pastel Birthday Wishes: Simple Paper Art

Morning Coffee . Latte Art.

Morning Coffee . Latte Art.

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 292a

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. .Bahrām Gūr in the green pavilion. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. .Bahrām Gūr in the green pavilion.

Songyue Pagoda in Dengfeng, Henan, China. It is part of UNESCO World Heritage Site - Historic Monuments of Dengfeng in &x22;The

Songyue Pagoda in Dengfeng, Henan, China. It is part of UNESCO World Heritage Site - Historic Monuments of Dengfeng in &x22;The

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 315b

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE.

Wooden house with the words &x22;home financing&x22; on white background. Real estate planning and financing concept.

Wooden house with the words &x22;home financing&x22; on white background. Real estate planning and financing concept.

Textile, Art, Painting, Religious Item

Середина XVI ст. Галичина. Дошка липова, паволока по стику дощок, левкас, темпера, тиснення, сріблення. 90 х 61 х 2. The Baptism. Mid-16th c. Galychyna. Tempera, silvering on gesso-grounded two-piece lime-wood panel, canvas on the joint of panels, stamping. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Середина XVI ст. Галичина. Дошка липова, паволока по стику дощок, левкас, темпера, тиснення, сріблення. 90 х 61 х 2. The Baptism. Mid-16th c. Galychyna. Tempera, silvering on gesso-grounded two-piece lime-wood panel, canvas on the joint of panels, stamping. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003

Illuminated Manuscript Koran, Walters Art Museum Ms. W.569, fol. 331b

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. Richly decorated page with a prayer to be recited at the end of the Qur'anic text. The prayer is inscribed in the center medallion in white muḥaqqaq script. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. Richly decorated page with a prayer to be recited at the end of the Qur'anic text. The prayer is inscribed in the center medallion in white muḥaqqaq script.

Textile, Art, Painting, Religious Item

ÐšÑ–Ð½ÐµÑ†ÑŒ XVII ÑÑ‚. ÐšÐ¸Ñ—Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ñ€Ð¸Ñ‚ÑƒÐ²Ð°Ð½Ð½Ñ, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ, Ñ‚Ð¾Ð½Ð¾Ð²Ð°Ð½Ðµ Ð¿Ñ–Ð´ Ð·Ð¾Ð»Ð¾Ñ‚Ð¾. 100 Ñ… 71 Ñ… 5 (Ð² Ð¾Ð±Ñ€Ð°Ð¼Ð»ÐµÐ½Ð½Ñ–). Christ in the Winefat. Late 17th c. Kyivshchyna. Tempera, gold-tinted silvering, engraving on gesso-grounded three-piece lime-wood panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. ÐšÑ–Ð½ÐµÑ†ÑŒ XVII ÑÑ‚. ÐšÐ¸Ñ—Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ñ€Ð¸Ñ‚ÑƒÐ²Ð°Ð½Ð½Ñ, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ, Ñ‚Ð¾Ð½Ð¾Ð²Ð°Ð½Ðµ Ð¿Ñ–Ð´ Ð·Ð¾Ð»Ð¾Ñ‚Ð¾. 100 Ñ… 71 Ñ… 5 (Ð² Ð¾Ð±Ñ€Ð°Ð¼Ð»ÐµÐ½Ð½Ñ–). Christ in the Winefat. Late 17th c. Kyivshchyna. Tempera, gold-tinted silvering, engraving on gesso-grounded three-piece lime-wood panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

"Tui" by Charles & Janine Williams

This is an other wall that is one of several in the central of Christchurch NZ being tackled by spray-can and paint roller wielding street artists as part of the RISE street art festival. This is an other wall that is one of several in the central of Christchurch NZ being tackled by spray-can and paint roller wielding street artists as part of the RISE street art festival.

Painting, Art, Illustration, Mythology

1730. Київщина. Дошка липова, левкас, темпера, олія, різьблення. 96 х 72 х 6 (в обрамленні). Saint Paraskevi of Iconium (Paraskeva Pyatnitsa). 1730. Kyivshchyna. Tempera, oil on gesso-grounded two-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. 1730. Київщина. Дошка липова, левкас, темпера, олія, різьблення. 96 х 72 х 6 (в обрамленні). Saint Paraskevi of Iconium (Paraskeva Pyatnitsa). 1730. Kyivshchyna. Tempera, oil on gesso-grounded two-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Dress, Art, Religious Item, Cope

1730-Ñ‚Ñ– Ñ€Ñ€. ÐŸÐ¾Ð»Ñ‚Ð°Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°, Ð½Ð° Ð¾Ð±Ñ€Ð°Ð¼Ð»ÐµÐ½Ð½Ñ– ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ. 118 Ñ… 85 Ñ… 11,5. The Intercession. 1730s. Poltavshchyna. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel, silvering on the framing. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. 1730-Ñ‚Ñ– Ñ€Ñ€. ÐŸÐ¾Ð»Ñ‚Ð°Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°, Ð½Ð° Ð¾Ð±Ñ€Ð°Ð¼Ð»ÐµÐ½Ð½Ñ– ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ. 118 Ñ… 85 Ñ… 11,5. The Intercession. 1730s. Poltavshchyna. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel, silvering on the framing. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Textile, Art, Painting, Wall

Кінець XVII ст. Київ. Дошка липова, левкас, олія, темпера, позолота. 124 х 147 х 2,5. The Last Judgement. Late 17th c. Kyiv. Oil, tempera on gesso-grounded three-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Кінець XVII ст. Київ. Дошка липова, левкас, олія, темпера, позолота. 124 х 147 х 2,5. The Last Judgement. Late 17th c. Kyiv. Oil, tempera on gesso-grounded three-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 73b

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts Laylá in a garden in the company of young women. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts Laylá in a garden in the company of young women.

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