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"Le port de Honfleur, l'embarquement des bestiaux", Auguste-Xavier Leprince, 1823.

Musée des beaux-arts de la ville de Paris, Petit-Palais. Musée des beaux-arts de la ville de Paris, Petit-Palais.

"Troupeau sous l'orage", Georges Michel, 1796.

Musée des beaux-arts de la ville de Paris, Petit-Palais. Musée des beaux-arts de la ville de Paris, Petit-Palais.

Textile, Painting, Art, Religious Item

Середина XVIII ст. Полтавщина. Дошка липова, левкас, олія, позолота. 101 х 67 х 4,5 (в обрамленні). The Nativity. Mid-18th c. Poltavshchyna. Oil, tempera, gilding on gesso-grounded two-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Середина XVIII ст. Полтавщина. Дошка липова, левкас, олія, позолота. 101 х 67 х 4,5 (в обрамленні). The Nativity. Mid-18th c. Poltavshchyna. Oil, tempera, gilding on gesso-grounded two-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Picture Frame, Textile, Painting, Art

Перша пол. XVIII ст. Київщина. Дошка липова, левкас, темпера, олія, різьблення, сріблення, позолота. 109 х 76 х 4 (в обрамленні). The Intercession with the portrait of Hetman Bohdan Khmelnytsky. The first half of the 18th c. Kyivshchyna. Tempera, oil, silvering, gilding on three-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Перша пол. XVIII ст. Київщина. Дошка липова, левкас, темпера, олія, різьблення, сріблення, позолота. 109 х 76 х 4 (в обрамленні). The Intercession with the portrait of Hetman Bohdan Khmelnytsky. The first half of the 18th c. Kyivshchyna. Tempera, oil, silvering, gilding on three-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Розп'яття з портретом Леонтія Свічки

Кінець XVII ст. Полтавщина. Дошка липова, темпера, олія, різьблення, позолота. 84 х 58 х 2. The Crucifixion with the portrait of Leonty Svichka. Late 17th c. Poltavshchyna. Tempera, oil, gilding on two-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Кінець XVII ст. Полтавщина. Дошка липова, темпера, олія, різьблення, позолота. 84 х 58 х 2. The Crucifixion with the portrait of Leonty Svichka. Late 17th c. Poltavshchyna. Tempera, oil, gilding on two-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

"Femme au virginal", Gabriel Metsu, vers 1662.

Musée des beaux-arts de la ville de Paris, Petit-Palais. Musée des beaux-arts de la ville de Paris, Petit-Palais.

"Huh, what are you doing?&#x22

Today was my last day with Hugo before I leave to France. I'll miss him. Today was my last day with Hugo before I leave to France. I'll miss him.

Christian Lindner, the leading candidate of the &x22;Free Democratic Party&x22; &x28;FDP&x29; in Germany

Christian Lindner, the leading candidate of the &x22;Free Democratic Party&x22; &x28;FDP&x29; in Germany

"Soir antique", Alphonse Osbert, 1908.

Musée des beaux-arts de la ville de Paris, Petit-Palais. Musée des beaux-arts de la ville de Paris, Petit-Palais.

Hair, Religious Item, Artifact, Art

1765. Київщина. Дошка липова, левкас, темпера, різьблення, позолота. 80 х 45 х 2. The Virgin of Częstochowa. 1765. Kyivshchyna. Tempera, gilding on gesso-grounded two-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. 1765. Київщина. Дошка липова, левкас, темпера, різьблення, позолота. 80 х 45 х 2. The Virgin of Częstochowa. 1765. Kyivshchyna. Tempera, gilding on gesso-grounded two-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

"Clair de lune à Overschie", Johan Barthold Jongkind, 1855.

Musée des beaux-arts de la ville de Paris, Petit-Palais. Musée des beaux-arts de la ville de Paris, Petit-Palais.

"Le berger et son troupeau", Frans Lingelbach.

Musée des beaux-arts de la ville de Paris, Petit-Palais. Musée des beaux-arts de la ville de Paris, Petit-Palais.

H.P. Lovecraft and cat?

A quick up-res and Photoshopping of a public domain illustration. It's from the book "Doctor Nikola, etc". The intention was to make it more like a portrait of the famous author H.P. Lovecraft -- who, incidentally, loved cats. This is CC0, so feel free to work on it further, and/or re-paint it with the aid of photo-references for Lovecraft's face, etc. A quick up-res and Photoshopping of a public domain illustration. It's from the book "Doctor Nikola, etc". The intention was to make it more like a portrait of the famous author H.P. Lovecraft -- who, incidentally, loved cats. This is CC0, so feel free to work on it further, and/or re-paint it with the aid of photo-references for Lovecraft's face, etc.

Russia, St. Petersburg - May 5, 2023: Russian restaurant &x22;Katyusha&x22; in the city center

Russia, St. Petersburg - May 5, 2023: Russian restaurant &x22;Katyusha&x22; in the city center

Banner of the &x22;Electric Love Festival&x22; 2022 in Austria at the &x22;Salzburg Ring&x22

Banner of the &x22;Electric Love Festival&x22; 2022 in Austria at the &x22;Salzburg Ring&x22

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol.1b

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page is the first of a double-page decoration containing the title and the author's name executed in gold thuluth script and placed in four cartouches. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page is the first of a double-page decoration containing the title and the author's name executed in gold thuluth script and placed in four cartouches.

Kilburn Grange Cinema

My submission to Flickr Commons: Kilburn Grange cinema (1914-1975) on Kilburn High, showing Passions of Men among others. A film called "The Passions of Men" was made in 1914, which is the same year Kilburn Grange Cinema opened. I think this should be considered as having a CC0 license, ie no copyright restrictions, which is what the cultural organisations participating in the Commons give to the majority of their posted photos. After all, we didn't take the photos - those who did will largely be deceased, and I think the copyright on them will also have expired. In this case sadly, I have no idea who the original photographer was - it would be nice to credit them when the picture is used!

Temple, Religious Item, Art, Painting

1680-1685. Слобожанщина. Дошка липова, левкас, олія, темпера, рельєф, різьблення, позолота, сріблення. В кіоті: 144 х 119 х 19. Saint Nicolas with Scenes from his life. 1680-1685. Sloboda Ukraine. Oil, tempera, gilding, silvering on gesso-grounded two-piece lime-wood panel, relief, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. 1680-1685. Слобожанщина. Дошка липова, левкас, олія, темпера, рельєф, різьблення, позолота, сріблення. В кіоті: 144 х 119 х 19. Saint Nicolas with Scenes from his life. 1680-1685. Sloboda Ukraine. Oil, tempera, gilding, silvering on gesso-grounded two-piece lime-wood panel, relief, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Illuminated Manuscript Koran, Left side of a double-page opening with verses of the first chapter (Sūrat al-fātiḥah&#x29

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a double-page opening decoration containing the text of the first chapter (Sūrat al-fātiḥah) inscribed in the center medallion in gold muḥaqqaq script on a blue background. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a double-page opening decoration containing the text of the first chapter (Sūrat al-fātiḥah) inscribed in the center medallion in gold muḥaqqaq script on a blue background.

"Paris, le Pont-Royal et le Pavillon de flore", Camille Pissarro, 1903.

Musée des beaux-arts de la ville de Paris, Petit-Palais. Musée des beaux-arts de la ville de Paris, Petit-Palais.

"SEE THE GULLS" Christchurch NZ

SEE THE GULLS: Australian artist Anthony Lister has created an enormous artwork on the wall of Les Mills in the city centre for the RISE street-art festival. Street artists armed with spray cans and paint rollers are coming to the rescue of Christchurch's struggling suburbs and city centre. Dozens of large artworks have been created on walls across the city this month with many more going up this week. The RISE street-art festival has commissioned a dozen large street-art paintings in the city centre, while the From the Ground Up project has organised about 16 large artworks in the city centre and Sydenham. Christchurch business owners and city leaders believe street art will help regenerate areas hit hard by the earthquakes and draw tourists to the city. SEE THE GULLS: Australian artist Anthony Lister has created an enormous artwork on the wall of Les Mills in the city centre for the RISE street-art festival. Street artists armed with spray cans and paint rollers are coming to the rescue of Christchurch's struggling suburbs and city centre. Dozens of large artworks have been created on walls across the city this month with many more going up this week. The RISE street-art festival has commissioned a dozen large street-art paintings in the city centre, while the From the Ground Up project has organised about 16 large artworks in the city centre and Sydenham. Christchurch business owners and city leaders believe street art will help regenerate areas hit hard by the earthquakes and draw tourists to the city.

"...It's far beyond the star...&#x22

theartonlinegallery.com/artist/john-lowerson/ www.theartroomtelford.co.uk/page96.html www.saatchionline.com/profiles/portfolio/id/349670 www.redbubble.com/people/johnlowerson/works/9430640-its-f. theartonlinegallery.com/artist/john-lowerson/ www.theartroomtelford.co.uk/page96.html www.saatchionline.com/profiles/portfolio/id/349670 www.redbubble.com/people/johnlowerson/works/9430640-its-f...

Illustration of a neon glowing &x22;2022&x22; banner for New Year backgrounds

Illustration of a neon glowing &x22;2022&x22; banner for New Year backgrounds

Child& x27;s Feet with Backpack in Back-to-School Scene

Child& x27;s Feet with Backpack in Back-to-School Scene

Horse, Textile, Art, Creative Arts

Середина XVII ст. Галичина. Дошка липова, темпера, різьблення, ритування, сріблення, позолота. 114 х 85 х 3. Saint George Killing the Dragon. Mid-17th c. Galychyna. Tempera, silvering, gilding, engraving on gesso-grounded four-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Середина XVII ст. Галичина. Дошка липова, темпера, різьблення, ритування, сріблення, позолота. 114 х 85 х 3. Saint George Killing the Dragon. Mid-17th c. Galychyna. Tempera, silvering, gilding, engraving on gesso-grounded four-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003

Golden shining text &x22;HAPPY NEW YEAR 2020

Golden shining text &x22;HAPPY NEW YEAR 2020

Textile, Rectangle, Art, Painting

Остання чверть XVI ст. Галичина. Дошка липова, левкас, темпера, сріблення, тиснення на полях. 42 х 31 х 2. The Annunciation Last quarter of the 16th c. Galychyna. Tempera on gesso-grounded two-piece lime-wood panel, silvering, border stamping. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Остання чверть XVI ст. Галичина. Дошка липова, левкас, темпера, сріблення, тиснення на полях. 42 х 31 х 2. The Annunciation Last quarter of the 16th c. Galychyna. Tempera on gesso-grounded two-piece lime-wood panel, silvering, border stamping. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003

"...Digame quien tengo ser...&#x22

theartonlinegallery.com/artist/john-lowerson/ www.theartroomtelford.co.uk/page96.html www.saatchionline.com/profiles/portfolio/id/349670 www.redbubble.com/people/johnlowerson/portfolio. theartonlinegallery.com/artist/john-lowerson/ www.theartroomtelford.co.uk/page96.html www.saatchionline.com/profiles/portfolio/id/349670 www.redbubble.com/people/johnlowerson/portfolio

"Le chant interrompu", Frans van Mieris, 1671.

Musée des beaux-arts de la ville de Paris, Petit-Palais. Musée des beaux-arts de la ville de Paris, Petit-Palais.

Painting, Art, Illustration, Mythology

1730. Київщина. Дошка липова, левкас, темпера, олія, різьблення. 96 х 72 х 6 (в обрамленні). Saint Paraskevi of Iconium (Paraskeva Pyatnitsa). 1730. Kyivshchyna. Tempera, oil on gesso-grounded two-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. 1730. Київщина. Дошка липова, левкас, темпера, олія, різьблення. 96 х 72 х 6 (в обрамленні). Saint Paraskevi of Iconium (Paraskeva Pyatnitsa). 1730. Kyivshchyna. Tempera, oil on gesso-grounded two-piece lime-wood panel, carving. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Taipei, Taiwan - June 6, 2019: Advertising decoration for the movie &x22;Toy Story 4&x22; and displays at outdoor to promote the

Taipei, Taiwan - June 6, 2019: Advertising decoration for the movie &x22;Toy Story 4&x22; and displays at outdoor to promote the

"waitin' round the bend...&#x22

johnlowerson.artweb.com/ theartonlinegallery.com/artist/john-lowerson/ www.theartroomtelford.co.uk/page96.html. johnlowerson.artweb.com/ theartonlinegallery.com/artist/john-lowerson/ www.theartroomtelford.co.uk/page96.html

Dress, Art, Religious Item, Cope

1730-Ñ‚Ñ– Ñ€Ñ€. ÐŸÐ¾Ð»Ñ‚Ð°Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°, Ð½Ð° Ð¾Ð±Ñ€Ð°Ð¼Ð»ÐµÐ½Ð½Ñ– ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ. 118 Ñ… 85 Ñ… 11,5. The Intercession. 1730s. Poltavshchyna. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel, silvering on the framing. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. 1730-Ñ‚Ñ– Ñ€Ñ€. ÐŸÐ¾Ð»Ñ‚Ð°Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°, Ð½Ð° Ð¾Ð±Ñ€Ð°Ð¼Ð»ÐµÐ½Ð½Ñ– ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ. 118 Ñ… 85 Ñ… 11,5. The Intercession. 1730s. Poltavshchyna. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel, silvering on the framing. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Male DJ standing with his back at &x22;Electric Love Festival&x22; 2022 in Austria at the &x22;Salzburg Ring&x22

Male DJ standing with his back at &x22;Electric Love Festival&x22; 2022 in Austria at the &x22;Salzburg Ring&x22

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 315b

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE.

This is how it went...

Me: "No Chewy, leave the pigs alone, you've had your veggies and fruit already" Chewy: /the ungrateful expression you can see here. Me: "No Chewy, leave the pigs alone, you've had your veggies and fruit already" Chewy: /the ungrateful expression you can see here.

Textile, Art, Painting, Font

ÐšÑ–Ð½. XII - Ð¿Ð¾Ñ‡. XIII ÑÑ‚. Ð“Ð°Ð»Ð¸Ñ‡Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ñ…Ð²Ð¾Ð¹Ð½Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°. 79 Ñ… 47 Ñ… 4. The Intercession. Turn of the 13th c. Galychyna. Tempera on gesso-grounded softwood hollowed panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003 *Ð¨Ð°Ð½Ð¾Ð²Ð½Ñ– Ð²Ñ–ÐºÑ–Ð¿ÐµÐ´Ñ–Ð¹Ñ†Ñ–, Ð±ÑƒÐ´ÐµÑ‚Ðµ Ñ†ÑŒÐ¾Ð³Ð¾ Ñ€Ð°Ð·Ñƒ Ð±Ñ€Ð°Ñ‚Ð¸ ÑÐºÐ°Ð½Ð¸ - Ð²ÐºÐ°Ð·ÑƒÐ¹Ñ‚Ðµ, Ð·Ð²Ñ–Ð´ÐºÐ¸ Ð²Ð¾Ð½Ð¸. ÐÐ°Ð±Ñ€Ð¸Ð´Ð»Ð¾ Ð±Ð°Ñ‡Ð¸Ñ‚Ð¸, ÑÐº Ð²Ð¸ Ð·Ð°Ð±ÑƒÐ²Ð°Ñ”Ñ‚Ðµ Ñ†Ðµ Ñ€Ð¾Ð±Ð¸Ñ‚Ð¸. ÐšÑ–Ð½. XII - Ð¿Ð¾Ñ‡. XIII ÑÑ‚. Ð“Ð°Ð»Ð¸Ñ‡Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ñ…Ð²Ð¾Ð¹Ð½Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°. 79 Ñ… 47 Ñ… 4. The Intercession. Turn of the 13th c. Galychyna. Tempera on gesso-grounded softwood hollowed panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003 *Ð¨Ð°Ð½Ð¾Ð²Ð½Ñ– Ð²Ñ–ÐºÑ–Ð¿ÐµÐ´Ñ–Ð¹Ñ†Ñ–, Ð±ÑƒÐ´ÐµÑ‚Ðµ Ñ†ÑŒÐ¾Ð³Ð¾ Ñ€Ð°Ð·Ñƒ Ð±Ñ€Ð°Ñ‚Ð¸ ÑÐºÐ°Ð½Ð¸ - Ð²ÐºÐ°Ð·ÑƒÐ¹Ñ‚Ðµ, Ð·Ð²Ñ–Ð´ÐºÐ¸ Ð²Ð¾Ð½Ð¸. ÐÐ°Ð±Ñ€Ð¸Ð´Ð»Ð¾ Ð±Ð°Ñ‡Ð¸Ñ‚Ð¸, ÑÐº Ð²Ð¸ Ð·Ð°Ð±ÑƒÐ²Ð°Ñ”Ñ‚Ðµ Ñ†Ðµ Ñ€Ð¾Ð±Ð¸Ñ‚Ð¸.

People during a concert at &x22;Electric Love Festival&x22; 2022 in Austria with the illuminated stage

People during a concert at &x22;Electric Love Festival&x22; 2022 in Austria with the illuminated stage

"La balayeuse", Pieter Janssens Elinga, vers 1670.

Musée des beaux-arts de la ville de Paris, Petit-Palais. Musée des beaux-arts de la ville de Paris, Petit-Palais.

Illuminated Manuscript, Book of Hours, Decorated Initial, Walters Art Museum Ms. W.165, fol. 27r

This mid-fifteenth century illuminated Book of Hours is written entirely in Dutch on fine vellum, and is remarkable for its eighteen grisaille miniatures. The technique, wherein the figures are modeled primarily in a gray wash, became a favorite in the Netherlands, and the hand behind the paintings in this manuscript has been identified with a group of artists known as the "Masters of the Delft Grisailles." This manuscript has been grouped with more than a dozen related works, including New York PML M. 349, London, Victoria and Albert Geo. Reid Ms. 32, Leiden B.P.L. 224, Brussels, BR 21696, Antwerp, Plantein Moretus Ms. 49, and the Hague K.B. Ms. 74 G 35. The manuscript is comprised of 152 folios and is almost completely intact, lacking only two miniatures, and retains its original brown leather binding decorated with mythological beasts and a now illegible inscription. The calendar is for the use of Utrecht, which helps localize its original ownership, as might a mostly erased ownership inscription that has been partially recovered by Marrow. Short hours of the cross: Vespers. This mid-fifteenth century illuminated Book of Hours is written entirely in Dutch on fine vellum, and is remarkable for its eighteen grisaille miniatures. The technique, wherein the figures are modeled primarily in a gray wash, became a favorite in the Netherlands, and the hand behind the paintings in this manuscript has been identified with a group of artists known as the "Masters of the Delft Grisailles." This manuscript has been grouped with more than a dozen related works, including New York PML M. 349, London, Victoria and Albert Geo. Reid Ms. 32, Leiden B.P.L. 224, Brussels, BR 21696, Antwerp, Plantein Moretus Ms. 49, and the Hague K.B. Ms. 74 G 35. The manuscript is comprised of 152 folios and is almost completely intact, lacking only two miniatures, and retains its original brown leather binding decorated with mythological beasts and a now illegible inscription. The calendar is for the use of Utrecht, which helps localize its original ownership, as might a mostly erased ownership inscription that has been partially recovered by Marrow. Short hours of the cross: Vespers.

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 292a

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. .Bahrām Gūr in the green pavilion. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. .Bahrām Gūr in the green pavilion.

Art, Event, Victorian Fashion, Plucked String Instruments

1740-і рр. Північне Лівобережжя. Дошка липова, левкас, гравіювання, темпера, олія, сріблення, позолота. 114 х 70 х 2. The Great Martyrs Barbara and Catherine. 1740s. Northern Left-bank Ukraine. Tempera, oil, silvering, gilding, engraving on gesso-grounded two-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. 1740-і рр. Північне Лівобережжя. Дошка липова, левкас, гравіювання, темпера, олія, сріблення, позолота. 114 х 70 х 2. The Great Martyrs Barbara and Catherine. 1740s. Northern Left-bank Ukraine. Tempera, oil, silvering, gilding, engraving on gesso-grounded two-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

People in the crowd during a concert at &x22;Electric Love Festival&x22; 2022 in Austria

People in the crowd during a concert at &x22;Electric Love Festival&x22; 2022 in Austria

"Do I bite the carrot or the finger?&#x22

Chewy wondering if he should be a good boy... or not!. Chewy wondering if he should be a good boy... or not!

Golf links, 1913

4x5 glass negative scan: "Golf links, Schenley park, Pittsburgh, Pa., June 6, 1913.". 4x5 glass negative scan: "Golf links, Schenley park, Pittsburgh, Pa., June 6, 1913."

A mural on the Road to Hana Maui.

Introducing Robena's latest mural, "Maui-Go-Round" in Paia. Please stop by Nalu Place (the east wall of the Chevron on Hana HW) and check it out! Mighty mahalos to Paia Surf Vacation Home and Nalu Kai Lodge for making this possible. Introducing Robena's latest mural, "Maui-Go-Round" in Paia. Please stop by Nalu Place (the east wall of the Chevron on Hana HW) and check it out! Mighty mahalos to Paia Surf Vacation Home and Nalu Kai Lodge for making this possible.

Datatron-205 Computer

The name of this computer, alone, sounds like a #TBT worthy of sharing! This was the Datatron-205 (can't imagine what the previous version looked like) that was detailed to the USGS from NASA Ames Research Center back in 1964. Valued at a mere $287,000, the Datatron was to be used for astrogeological studies. NASA had used it for testing spacecraft, but it was provided to the USGS to refine and detail lunar photos for the astronauts as they approached the Moon so they could better understand the terrain and structure. The Flagstaff Milestone quoted, Wayne Lowry, an electrical engineer for the Burroughs Company (who built the machine), as saying, "A problem that would take four mathematicians one year to do can be solved by this machine in 30 minutes." Sorry, Steve Jobs and Woz...you've got nothing on this beauty!. The name of this computer, alone, sounds like a #TBT worthy of sharing! This was the Datatron-205 (can't imagine what the previous version looked like) that was detailed to the USGS from NASA Ames Research Center back in 1964. Valued at a mere $287,000, the Datatron was to be used for astrogeological studies. NASA had used it for testing spacecraft, but it was provided to the USGS to refine and detail lunar photos for the astronauts as they approached the Moon so they could better understand the terrain and structure. The Flagstaff Milestone quoted, Wayne Lowry, an electrical engineer for the Burroughs Company (who built the machine), as saying, "A problem that would take four mathematicians one year to do can be solved by this machine in 30 minutes." Sorry, Steve Jobs and Woz...you've got nothing on this beauty!

"The Guardians" Southbank. Melbourne.

'THE GUARDIANS' AT SOUTHBANK Walking along Southbank Promenade, on the southern bank of the Yarra River in the CBD, one can see two large sculptures, called ‘The Guardians’, outside the eastern end of the Crown Entertainment Complex. They are striking and colourful art works that immediately catch the eye and contribute to the appeal of the walk along the Promenade. These two large sculptures are carved from Italian statuary marble and clad with ceramic tiles. They were created in 1997 by the, then local, artist Simon Rigg. The square based mounting of the larger statue depicts the four elements. The smaller Guardian reveals a woman’s head looking through the hole of the larger sculpture, and hints at the source of all the images, beyond our plane of vision. 'THE GUARDIANS' AT SOUTHBANK Walking along Southbank Promenade, on the southern bank of the Yarra River in the CBD, one can see two large sculptures, called ‘The Guardians’, outside the eastern end of the Crown Entertainment Complex. They are striking and colourful art works that immediately catch the eye and contribute to the appeal of the walk along the Promenade. These two large sculptures are carved from Italian statuary marble and clad with ceramic tiles. They were created in 1997 by the, then local, artist Simon Rigg. The square based mounting of the larger statue depicts the four elements. The smaller Guardian reveals a woman’s head looking through the hole of the larger sculpture, and hints at the source of all the images, beyond our plane of vision.

Bank Of China Tower. - Hong Kong

Acclaimed by critics as one of the world's "most outstanding examples of modern architecture", Hong Kong's Bank of China Tower is truly a sight to behold. Cutting majestically into the vast blue sky, soaring high above the other skyscrapers that dominate the skyline in a country short on space, this magnificent tower stops Bank of China Tower, Hong Kong most visitors in their tracks, causing them to look up, mouths hanging open, admiring this sparkling marvel of modern engineering. Acclaimed by critics as one of the world's "most outstanding examples of modern architecture", Hong Kong's Bank of China Tower is truly a sight to behold. Cutting majestically into the vast blue sky, soaring high above the other skyscrapers that dominate the skyline in a country short on space, this magnificent tower stops Bank of China Tower, Hong Kong most visitors in their tracks, causing them to look up, mouths hanging open, admiring this sparkling marvel of modern engineering.

Kazan, Tatarstan, Russia - June 21, 2021: Panoramic view of the &x22;Dubravnaya&x22; metro station.

Kazan, Tatarstan, Russia - June 21, 2021: Panoramic view of the &x22;Dubravnaya&x22; metro station.

Adolf Hitler, portrait

Adolf Hitler, portrait

Gorgeous forest panorama in autumn

Gorgeous forest panorama in autumn

Textile, Tree, Art, Painting

1729. Київ. Дошка липова, левкас, олія, позолота. 118 х 32 х 3,5. The Entry in Jerusalem. 1729. Kyiv. Oil, gilding on gesso-grounded three-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. 1729. Київ. Дошка липова, левкас, олія, позолота. 118 х 32 х 3,5. The Entry in Jerusalem. 1729. Kyiv. Oil, gilding on gesso-grounded three-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

A-Maze ing -Laughter.English Bay Vancouver.

A-maze-ing Laughter was designed by Yue Minjun and installed in Morton Park along the English Bay in West End, Vancouver in 2009. The patinated bronze sculpture portrays the artist's own image "in a state of hysterical laughter". It was created as part of the Vancouver International Sculpture Biennale, which exhibits international contemporary works in public spaces. The sculpture was donated to the City of Vancouver by Chip and Shannon Wilson through the Wilson Foundation on August 11, 2012. A-maze-ing Laughter was designed by Yue Minjun and installed in Morton Park along the English Bay in West End, Vancouver in 2009. The patinated bronze sculpture portrays the artist's own image "in a state of hysterical laughter". It was created as part of the Vancouver International Sculpture Biennale, which exhibits international contemporary works in public spaces. The sculpture was donated to the City of Vancouver by Chip and Shannon Wilson through the Wilson Foundation on August 11, 2012

Textile, Art, Painting, Religious Item

Середина XVI ст. Галичина. Дошка липова, паволока по стику дощок, левкас, темпера, тиснення, сріблення. 90 х 61 х 2. The Baptism. Mid-16th c. Galychyna. Tempera, silvering on gesso-grounded two-piece lime-wood panel, canvas on the joint of panels, stamping. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Середина XVI ст. Галичина. Дошка липова, паволока по стику дощок, левкас, темпера, тиснення, сріблення. 90 х 61 х 2. The Baptism. Mid-16th c. Galychyna. Tempera, silvering on gesso-grounded two-piece lime-wood panel, canvas on the joint of panels, stamping. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003

Illuminated Manuscript, Map of the "Syrian coast" and the cities: Gaza (Ghazzah) and Ramlah (present-day

Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195. Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 277a

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The page depicts Khusraw asking pardon from Shīrīn. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The page depicts Khusraw asking pardon from Shīrīn.

Illuminated Manuscript, Book of Hours, St. Anthony, Walters Art Museum Ms. W.165, fol. 116v

This mid-fifteenth century illuminated Book of Hours is written entirely in Dutch on fine vellum, and is remarkable for its eighteen grisaille miniatures. The technique, wherein the figures are modeled primarily in a gray wash, became a favorite in the Netherlands, and the hand behind the paintings in this manuscript has been identified with a group of artists known as the "Masters of the Delft Grisailles." This manuscript has been grouped with more than a dozen related works, including New York PML M. 349, London, Victoria and Albert Geo. Reid Ms. 32, Leiden B.P.L. 224, Brussels, BR 21696, Antwerp, Plantein Moretus Ms. 49, and the Hague K.B. Ms. 74 G 35. The manuscript is comprised of 152 folios and is almost completely intact, lacking only two miniatures, and retains its original brown leather binding decorated with mythological beasts and a now illegible inscription. The calendar is for the use of Utrecht, which helps localize its original ownership, as might a mostly erased ownership inscription that has been partially recovered by Marrow. The illumination begins the suffrage. This mid-fifteenth century illuminated Book of Hours is written entirely in Dutch on fine vellum, and is remarkable for its eighteen grisaille miniatures. The technique, wherein the figures are modeled primarily in a gray wash, became a favorite in the Netherlands, and the hand behind the paintings in this manuscript has been identified with a group of artists known as the "Masters of the Delft Grisailles." This manuscript has been grouped with more than a dozen related works, including New York PML M. 349, London, Victoria and Albert Geo. Reid Ms. 32, Leiden B.P.L. 224, Brussels, BR 21696, Antwerp, Plantein Moretus Ms. 49, and the Hague K.B. Ms. 74 G 35. The manuscript is comprised of 152 folios and is almost completely intact, lacking only two miniatures, and retains its original brown leather binding decorated with mythological beasts and a now illegible inscription. The calendar is for the use of Utrecht, which helps localize its original ownership, as might a mostly erased ownership inscription that has been partially recovered by Marrow. The illumination begins the suffrage.

SINTANG, INDONESIA - JANUARY 13, 2022 : The streets around the Adipura monument, usually called &x22;Simpang Lima&x22

SINTANG, INDONESIA - JANUARY 13, 2022 : The streets around the Adipura monument, usually called &x22;Simpang Lima&x22

"The M-Line Trolley&#x22

Downtown Dallas Tx. Downtown Dallas Tx

"Tui" by Charles & Janine Williams

This is an other wall that is one of several in the central of Christchurch NZ being tackled by spray-can and paint roller wielding street artists as part of the RISE street art festival. This is an other wall that is one of several in the central of Christchurch NZ being tackled by spray-can and paint roller wielding street artists as part of the RISE street art festival.

"What should I eat now?&#x22

Cookie dosnt know what food to pick XD. Cookie dosnt know what food to pick XD

&x22;Resplendent Fervor&x22; by Gregory Mendez &x28;IN&x29;; Sculpture on the Sioux Falls SculptureWalk &x28;2018&x29

&x22;Resplendent Fervor&x22; by Gregory Mendez &x28;IN&x29;; Sculpture on the Sioux Falls SculptureWalk &x28;2018&x29

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